کانون تاتر جهاد دانشگاهی واحد مازندران «گروه تئاتر سیاوشان» siavashan theater group
دانش خود را هیچگاه احتکار نکنید/دکتر قریب
این وبلاگ به اخبار و فعالیت های گروه تئاتر سیاوشان می پردازد.
از جمله فعالیت ها هنری در این گروه آموزش تئاتر هنر جویان دانشجوی دانشگاه مازندران است که پس از گذراندن پایان دوره به اجرای نمایش در پایان هر ترم می پردازند.
سرپرست گروه و مدیریت وبلاگ
مدیر وبلاگ : حمیدرضا گل محمدی تواندشتی
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Street theater theater community who complained to the society in the form of a story going to be shown to the people and what is important in the context of street theater show in this kind of theater that can be drawn from the facts and the everyday problems of society in which they live We are.
The Iranian Students News Agency (ISNA) region of Mazandaran, street theater Mzamynsh of urban life and daily problems and providing its people are involved and express pain, suffering, joy and Nakhvshyhay different classes of societies that entertainment content, cultural , moral, social and runs in the streets.
Street theater because of the more fans closer together, and if you run a demonstration in the street crowd easily, it is not over and this shows the place of this approach.
Rose Tvandshty HR expert views about the Iranian Students News Agency (ISNA) region of Mazandaran, said various festivals theater scene ever since the beginning of the names of Fajr, theater, war, mobilization theater, month and province Been held and that the financial burden, but very little return, because the popularity of this festival is dedicated to the artists and the general public will not benefit from the lower cost of street festivals and more benefit is income.
He said to look at the history of street theater to understand the emergence of street theater of when and where and what is its message
Mazandaran artist continues: in the early twentieth century, following World War I and the Russian Revolution street theater in Europe was of great prosperity, the theater was carried out with the aim of promoting and generally wanted to advertise the position after World War II and especially in the 1950s the trend was downward to the French student movement in the late '60s and the rise of radicalism in Europe gave it new life.
He said: the difference between the previous approach was that if in the past the theater to theater Tyatrkhyabany this time in defense of the proletariat rose against global capitalism emerged especially after the Vietnam War, many of these shows with the aim of opposition to global imperialism and political effects over time, but shows little way to defend the rights of blacks, women, and now that the opposition to globalization.
He stressed that, in this type of theater audience and the actor plays a scene unlike any other sense they are different, and the relationship between actor and audience together at the highest level possible, and this without any pre-planning in the current Tyynshdhay involved see the inside out rolls.
The official said that the presence of street theater in Expert View The official festivals in Iran since the 66 th Fajr Festival, says the It took a year of many prestigious festivals, street theater dedicated to Found.
He pointed out that most people are unfamiliar with theater and drama has no place in the lives of these people, it adds life to the theater, do not go public because of the distress, observed that some Hnrmndn theater when the audience is not welcome Pavilions encounter immediately to the audience Aiming attacks and blame them.
believes that when we locked ourselves indoors hall and hall for
performances only know theater people not delete the street ... so do
not expect people to understand theater, the art are companion.
Street theater, using this art among the people
He said the street theater instead of people drawn to the display, the display goes to the people and to the development of the arts and introduce it to the people and accept their help and willingness to create a look that theaters Raghbtry have, because the mission of street theater, using this art among the people .
Mazandaran artist pointed out that the two sides of tragedy and humor in street theater there, said if carried out with humor theme to attract an audience of street theater is more effective, with respect to the tragedy can be used in special situations a.
says: street theater to theater culture could spread in the community
and people who have been turned back from the theater with theater
Live stage shows in isolation
According to ISNA, Arash Ramezani Show Fvklayy expert believes that one of the arts that can affect the long drama that its impact is evident in the various communities.
His current art scene and the street division of society into two species, and said if the arts community and the people around and lose your audience to explore its causes and treatment of damage to it.
Ramezani says: now shows the scene failed to attract audience in the public and held in isolation.
Mazandaran artist noted: One of injuries theater scene is that the audience just limited to specific artists and people involved in this kind of show do not know your audience well.
He explains: street theater show dramatic contrast with the general public and the market street and nothing but reinforce the idea that the street theater community will not enter.
Ramezani notes: When I see the history of street theater is evident that the play with the idea of protests in Western countries after World War was entering the community so that people will listen to the issues and problems.
Mazandaran artist said: If you look at sales presentations and shows outdoor performances such as traditional look Iranians see street theater has gained popularity among the people and was well received.
According to ISNA, the damage that was expressed in the drama on stage and welcomed people to the arts, street theater Studies show that reconciliation is an approach that can be re-recognize the theater audience, the drama scene as well filled the audience.
End of massage
ISNA Caspian region
نوع مطلب :
برچسب ها : Isolation in the theater scene / reconciliation of people in the street theater،
لینک های مرتبط :
کلیه حقوق این وبلاگ برای کانون تاتر جهاد دانشگاهی واحد مازندران «گروه تئاتر سیاوشان» siavashan theater group محفوظ است